“A fox’s teeth are very
sharp.” (2013-2019) Silk filament on silk-hemp blend with hand-dyed silk
chiffon scarf. Text is Sandman: The Dream Hunters by @neil-gaiman,
design inspired by illustrations of Yoshitaka Amano. Dress by L.L.K. Photo credit to Kenneth Williams.
Six years ago, my unbelievably talented wife decided to undertake a ridiculously long and complicated project: to embroider a story onto a dress.
We live in a very casual college town where no one ever dresses up for anything, so we began a tradition of throwing formal New Year’s Eve parties, and L being L, she made a dress every year. In 2013, she decided to take it a step further: she would create a dress inspired by Neil Gaiman and Yoshitaka Amano’s Sandman: The Dream Hunters and then embroider the entire story onto the dress. The dress itself was the work of a few weeks and looked beautiful on her at the party, and then the real work began: planning, mapping, embroidering and embroidering and embroidering. She estimated it would take approximately ten years of doing needlework an hour or two each evening, leaving plenty of time to take nights or even months off. She finished in under six.
I can’t summon words to describe how proud of her I am right now. I mean, I am always proud of her, as she is an exceptionally kind and caring human being as well as a polymath (seamstress, carpenter, baker, programmer, naturalist, and tenured professor of biology), but she has created a true work of art and I hope it ends up in a museum somewhere to immortalize her talent, skill, and patience.
She’s currently trying to figure out her next project.
I wish I could find the words to say how remarkable and touching and glorious this is for me. I’m still proud of the story and so honoured to see it made into a dress…
During World War II, 600,000 African-American women entered the wartime
workforce. Previously, black women’s work in the United States was
largely limited to domestic service and agricultural work, and wartime
industries meant new and better-paying opportunities – if they made it
through the hiring process, that is. White women were the targets of the
U.S. government’s propaganda efforts, as embodied in the lasting and
lauded image of Rosie the Riveter.Though largely ignored in America’s
popular history of World War II, black women’s important contributions
in World War II factories, which weren’t always so welcoming, are
stunningly captured in these comparably rare snapshots of black Rosie
the Riveters.
Reblogging because I’ve never seen these before, and I bet a lot of people haven’t.
My great grandma was a bomb builder in Cleveland. There’s a restaurant in the city, near the airport, called 101st Bombardiers (I think) that we went to after her funeral. We got into a conversation with the owner about how she specifically wanted us all to go there, and the owner called up the previous owner, her mother, who showed up and told us tales about my grandmother from back when they worked together.
I don’t know if there were any women of color they worked with, but knowing my grandmother they would have been fast friends.
As I’m always a skeptic and had never heard of this, I had to look up more information. Very true, and here are excellent sources if you want to learn more - 1 and 2